Terranova,
1991
Additional
Captures
Director:
Calogero Salvo
Other Actors: Marisa
Laurito, Mimi Lazo, Patrick Bauchau, Massimo Bonetti, Nathalia Martinez
Italian and Spanish
Set in a rural
Venezuela town of the 1950's, Terranova is a story of self
realization and liberation. It captures the intensity of a
turning point in the lives of six characters whose often conflictive
and painful relationships become a metaphor for the challenges
of self-acceptance and the inevitable consequences of self-discovery.
The catalyst for the dramatic change in the lives of these
individuals is the unlikely friendship which develops between
Rosetta, the amtriarch of a humble Italian immigrant family,
and Noemi, an aristocratic landowner. As the two women labor
toward achieving an open and honest rapport about their individual
frustrations, they empower each other with audacious spirit
and an appetite for change. As they redefine their individual
values, hopes and expectations, the other characters begin
to recognize and question unfulfilled patterns of behavior
in their own lives as well.
From Sandie:
The plot of Terranova -- my ramblings: Antonio plays Antonio, an
Italian who with his sister Rosettta immigrated to Venezuela looking
for a better life. On board the ship, Rosita had met and married
aother Italian, Angelo. He's a bit of a cold fish, very dissatisfied
with his life and homesick for home. He's a pessimist. Rosetta and
Antonio are more adaptable to their new environment. Angelo chides
them when they talk Spanish at the dinner table. (the movie cover
indicates it's in Italian and Spanish so I assume the circumstances
dictate which is used. It seems all Spanish claim they understand
Italian and vice versa) Rosettta and Angelo have a young son Gaspar
-- preadolescent. Rosetta and Antonio are close but not unnaturally
so. She's very protective of her younger brother. When the movie
opens they are worried about losing all the crops and everything
because it has not rained. Rosetta talks about going to the local
landowner, a beautiful sophistocated woman named Noemi. Her daughter
who's on the brink of womanhood just happens to have a crush on
Antonio.
Antonio plays a real
charmer -- a male ingenue. He has absolutely no malice. But he's
a natural flirt even by long distance (as I'll explain later). One
question remains as to how experienced he is. I get the impression
he might be actually inexperienced despite his ease with flirting.
All he attempts to do is kiss and the only one he kisses is Celina,
Noemi's young daughter. Of course, she's rather young to start an
affair with. But he appears to be a young romantic.
Noemi originally
turns down Rosetta's request for an extension of their loan because
her business manager insists. However, Noemi comes upon Rosetta
after Rosetta has suffered a miscarriage. Thus begins a really close
friendship. They're like two teenagers sharing all their secrets.
Both don't fit in rural Venezuela and they are kindred spirits whose
gap in social class really doesn't impact on their genuine affection
for each other. Both have had bad relationships with men and desire
romance. Noemi's daughter Celina is illegitimate. The child's father
was a married man. Noemi's father never forgave Noemi for keeping
the child and exiled her. Noemi lives in privilege but has no real
companionship. She has a lover that flies in, but he's an uncaring
lowlife. In contrast, the close relationship that Rosetta has with
her son and brother seem to be idyllic. [Actually, although Rosetta's
family is supposed to be struggling, I never get that sense; Antonio
for one has beautifully tailored shirts. And their home while not
opulent seems very comfortable]
Antonio has a friend,
Roman Stal, with a troubled past. He speaks four languages, paints,
and is teaching Antonio how to fix radios. It comes out toward the
end that he's a Jew that killed an Italian fascist who had sex with
his wife. He goes through the personal ads supposedly for information
about his wife and son. Antonio also peruses the personal ads. The
real comic moment is when one of these personal ads show up. Apparently,
Antonio got carried away in his letterwriting and mentioned marriage
to a woman he hadn't even met! The woman comes to Antonio's house
with her aunt. She has even bought a wedding gown. Antonio hides
in the back room while Rosetta maligns his personality to the prospective
bride, an Italian who wanted to marry another Italian. The woman
is attractive but looks to be about ten years older and maybe half
a foot taller than Antonio. [This movie emphasizes Antonio's small
size so he really seems very young and in ways naive and innocent,
even Celina is nearly as tall as he].
Anyway, Antonio is
mortified after jilting the "fiance". He feels like a
cad. He's also beginning to feel serious thoughts for Celina. He
has to explain to her that there was nothing between him and the
stranger that showed up. Things seem to be going well. But Celina
has an obsession to meet her father. She overhears his name and
decides to make Antonio follow up on his rash promise to go with
her anywhere. While her mother and Rosetta are acting like kids
(Rosetta claimed that Noemi was ill to her husband and Antonio so
she could visit Noemi), Celina comes into Antonio's bedroom, drags
him out of bed (dressed in only boxers), and makes him come with
her. It is her intention to go to Caracas. Antonio tries to talk
her out of it. Meanwhile, her mother gets her note, and blames Rosetta
and Antonio. However, Celina is brought back home. Noemi calls the
child's father. It is agreed that Celina should visit him.
Things begin to come
to a head. Angelo wants to return to Italy. After an emotional scene,
Antonio's friend Roman leaves and gives his land and house to Antonio.
Antonio announces he is staying to work the land. Rosetta, at the
last moment, refuses to go to Italy. She and Gaspar, her son, will
go to Caracas instead. In the end, Angelo gives in and agrees to
go to Caracas.
The end of the movie is good-byes.
Antonio alone stays. Really interesting scene as Noemi runs
after the truck going to Caracas.
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